Rating: ā ā ā āāĀ (3/5 Stars)
Released 11-27-2024
Watched 02-22-2025
Reviewed 02-28-2025
Watched on Netflix
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"Because it is perfect. And a song should never be perfect. It should be performed in that moment, differently to every other time."
"Maria," directed by Pablo LarraĆn, is a biographical psychological drama that delves into the final week of the legendary opera singer Maria Callas's life in 1977 Paris. Angelina Jolie takes on the titular role, portraying Callas as she reflects on her tumultuous career and personal struggles.
The film is the third installment in LarraĆn's trilogy, focusing on prominent 20th-century women, following "Jackie" (2016) and "Spencer" (2021). "Maria" offers an intimate glimpse into Callas's secluded existence, highlighting her interactions with her loyal butler Ferruccio (Pierfrancesco Favino) and housemaid Bruna (Alba Rohrwacher). Through a series of flashbacks and imagined interviews, the narrative explores her passionate yet troubled relationship with Aristotle Onassis (Haluk Bilginer) and her internal battles with fading fame and health.
Angelina Jolie's portrayal of Callas is both commanding and nuanced, capturing the diva's vulnerability and strength. Her dedication to the role is evident, as she underwent extensive training to embody the opera singer's essence. The supporting cast delivers strong performances, with Favino and Rohrwacher providing depth to the intimate portrayal of Callas's inner circle.
Visually, "Maria" is a testament to LarraĆn's directorial vision. The cinematography by Edward Lachman juxtaposes the opulence of Callas's Parisian apartment with the starkness of her internal isolation. The film's pacing, however, may feel deliberate to some viewers, reflecting the introspective nature of the narrative.
While "Maria" offers a poignant exploration of a complex figure, it may not resonate with all audiences. The film's focus on the melancholic aspects of Callas's final days and its non-linear storytelling requires viewers to engage deeply with the material. For those interested in a character-driven study, "Maria" provides a compelling experience, but others might find it less accessible.
In summary, "Maria" is a visually striking and emotionally rich film that delves into the psyche of one of opera's most enigmatic figures. Angelina Jolie's performance stands out, bringing depth to the portrayal of Maria Callas. However, the film's somber tone and introspective approach may appeal more to viewers who appreciate character studies over conventional biographical narratives.
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